Lady Di
02-15-2007, 09:11 AM
Thu Feb 15, 2007 2:57am ET
LOS ANGELES (Reuters) - Disgraced pop duo Milli Vanilli will soon get a movie made about their less-than-spectacular career, following in the cinematic steps of such icons as Ray Charles and Johnny Cash.
Hollywood trade paper Daily Variety reported in its Thursday issue that Universal Pictures is developing a film about the lip-synching combo, who lost their coveted Grammy for best new artist in 1990 when it emerged that they had never sung on their records.
The project will be written and directed for the General Electric Co.-controlled studio by Jeff Nathanson, who previously wrote the Leonardo DiCaprio crime caper "Catch Me If You Can." He has secured the cooperation of Milli Vanilli alumnus Fabrice Morvan, who has been pursuing a comeback for years, as well as the estate of his colleague, Rob Pilatus, who died of a drug overdose in 1998.
"I've always been fascinated by the notion of fakes and frauds, and in this case, you had guys who pulled off the ultimate con, selling 30 million singles and 11 million albums and then becoming the biggest laughing-stocks of pop entertainment," the paper quoted Nathanson as saying.
LOS ANGELES (Reuters) - Disgraced pop duo Milli Vanilli will soon get a movie made about their less-than-spectacular career, following in the cinematic steps of such icons as Ray Charles and Johnny Cash.
Hollywood trade paper Daily Variety reported in its Thursday issue that Universal Pictures is developing a film about the lip-synching combo, who lost their coveted Grammy for best new artist in 1990 when it emerged that they had never sung on their records.
The project will be written and directed for the General Electric Co.-controlled studio by Jeff Nathanson, who previously wrote the Leonardo DiCaprio crime caper "Catch Me If You Can." He has secured the cooperation of Milli Vanilli alumnus Fabrice Morvan, who has been pursuing a comeback for years, as well as the estate of his colleague, Rob Pilatus, who died of a drug overdose in 1998.
"I've always been fascinated by the notion of fakes and frauds, and in this case, you had guys who pulled off the ultimate con, selling 30 million singles and 11 million albums and then becoming the biggest laughing-stocks of pop entertainment," the paper quoted Nathanson as saying.